5.75 x 8.25", 255 pp, text in Chinese, paper, Taipei, 1989. (o.p.; sl wear on corners, text vg). More about 书法词典<br>Shufa Cidian

Weatherhill, Inc. 8.25 x 12", xiv, 259 pp., fully illustrated in color, b/w figures, notes after most chapters, glossary, bibliography, index, cloth, d.j., Boston, 2006. (o.p.; fine). The first book on Japanese calligraphy from the significant Momoyama and Edo periods (1568–1868), 77 Dances examines the art of writing at a.... More about 77 Dances: Japanese Calligraphy by Poets, Monks, and Scholars, 1568-1868

University of Michigan Museum of Art. 8.5 x 11", 61 pp., 22 b/w figures, footnotes, technical guide to calligraphic brushwork, brief outline of Chinese calligraphy, outline of Japanese calligraphy, bibliography, paper, Ann Arbor, 1975. (o.p.; light browning to back cover, text vvg). Exhibition at the University of Michigan Museum of... More about Calligraphy of China and Japan: The Grand Tradition

8 x 11", 70 pp., profusely illustrated in black and white, text in Chinese and English, paper, San Francisco, 1997. Foreword by Michael Sullivan, introduction by Shirley Sun and Calligraphy in China and Today by Joan Stanley Baker. More about The Living Brush : Four Masters of Contemporary Chinese Calligraphy

4.5 x 7", 2 volumes, 138 pp., papercover, Shanghai, 1937. More about 淳化阁帖释文(2册)<br>Chunhuagetie Shiwen (2 Volumes

9.25 x 12", 405 pp., 150 color plates, notes of entries, list of people cited, text in English and Chinese, cloth, d.j., Hong Kong, 2007. The Chinese couplet is a unique literary form that manifests the extensive use of parallelism in the classic tradition. Calligraphers, scholars, officials and even emperors... More about Double Beauty II: Qing Dynasty Couplets from the Lechangzai Xuan Collection (Hardcover

9.25 x 12", 422 pp., fully ilustrated in color, cloth, d.j., Hong Kong, 2003. As a popular art form of the Qing dynasty, couplets are representative of the period calligraphy. The exhibits are selected from the fine collection of Mr. Harold Wong,master of the Lechangzai Xuan and a renowned landscape... More about 合璧聯珠-樂常在軒藏清代楹聯<br>Double Beauty: Qing Dynasty Couplets from the...

8.3 x 11", 345 pp., numerous b/w illustrations, text in Chinese, paper, Hong Kong, 2002. Art Museum Monograph, No.10. Edited by Yau Hok-wa and Chan Kuen-on, this volume contains 30 papers presented by scholars from the Mainland, Taiwan, Hong Kong, the United States and Japan at a symposium on Chinese... More about 中国碑帖与书法国际讨论会论文集<br>Zhongguo Beitie yu Shufa Guoji Taolunhui...

Art Museum, Princeton University. 7 x 11", 295 pp., over 100 b/w illustrations, paper, Princeton, 1999. This volume is a compilation of papers prepared for an international symposium in conjunction with the exhibition The Embodied Image: Chinese Calligraphy from the John B. Elliot Collection". Essays include: Calligraphy, The Sacred Text... More about Character and Context in Chinese Calligraphy

Nigensha 二玄社. 6 x 8.5", 4th printing, 918 pp., text in Japanese, simulated soft leather bound, Tokyo, 2001. This is a comprehensive dictionary of semi-curvise and running scripts by the four masters of the Song dynasty: Mi Fu (米芾), Huang Tingjian (黄庭坚), Su Shi (苏轼), and Cai Xiang (蔡襄). Searchable by stroke count + radical and Chinese and Japanese sounds. More about 宋四家字典<br>Soshike Jiten

8.5 x 11", 2 Volumes, Vol. I: ix, 337 pp., footnotes, bibliography of Chinese and Japanese sources; Vol. II: Illustrations, pp. 338-554, spiral bound, New Haven, 1996. (signed by the author to Professor Barnhart). A dissertation presented to the Faculty of the Graduate School of Yale University in Candidacy for... More about Fu Shan (1607-1684/85) and the Transformation of Chinese Calligraphy in the Seventeenth Century ...

8.5 x 10.7", 64 pp., 37 items illustrated in b/w, paper, Princeton, 1979. (o.p.; near fine). Selections of Chinese calligraphy and one painting in the Elliot Collection. With an introduction by Wen C. Fong. More about Chinese Calligraphy and Painting: The Jeanne Shambaugh Elliott Collection at Princeton