Art As Politics: Re-Crafting Identities, Tourism, and Power in Tana Toraja, Indonesia. Kathleen M. Adams.

Art As Politics: Re-Crafting Identities, Tourism, and Power in Tana Toraja, Indonesia

University of Hawaii Press. 6 x 9", xi, 286 pp., 15 color plates, 20 b/w figures, notes, glossary, references, index, paper, Honolulu, 2006. Item #33108
ISBN: 0824830725

Art as Politics explores the intersection of art, identity politics, and tourism in Sulawesi, Indonesia. Based on long-term ethnographic research from the 1980s to the present, the book offers a nuanced portrayal of the Sa’dan Toraja, a predominantly Christian minority group in the world’s most populous Muslim country. Celebrated in anthropological and tourism literatures for their spectacular traditional houses, sculpted effigies of the dead, and pageantry-filled funeral rituals, the Toraja have entered an era of accelerated engagement with the global economy marked by on-going struggles over identity, religion, and social relations.

In her engaging account, Kathleen Adams chronicles how various Toraja individuals and groups have drawn upon artistically-embellished “traditional” objects—as well as monumental displays, museums, UNESCO ideas about “word heritage,” and the World Wide Web—to shore up or realign aspects of a cultural heritage perceived to be under threat. She also considers how outsiders—be they tourists, art collectors, members of rival ethnic groups, or government officials—have appropriated and reframed Toraja art objects for their own purposes. Her account illustrates how art can serve as a catalyst in identity politics, especially in the context of tourism and social upheaval.

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