The Art of the Gao Brothers of the Lingnan School
1995. Softcover. More
Art Media Resources, Inc., 2019. hardbound with dust jacket; 265 pages with black and white photos. Item #45329
ISBN: 9781588861504
***PRE-PUBLICATION SALE! Order now to receive 20% off. Expected availability date is June 2019***
As multi-functional as they are artistically important, folding and standing screens assume a variety of roles unique to the cultures of East Asia. Frequently used in dwellings, temples, and tombs, East Asian screens have a rich history from ancient times up to the modern period, and yet they rarely have been examined as an art form in themselves. This volume of essays makes the art of screens its focus of inquiry. Originally written for the Center for the Art of East Asia’s 2011 symposium, “The Screen in East Asia and Beyond,” these nine essays take a fresh look at the complexity of this traditional art form by presenting the most recent art historical research and analysis of archaeological evidence. Starting from Bronze Age China, the essays address the historic use of screens in East Asia, the materials used in their creation, and the significance of their artistic content. The essays explore a variety of philosophical, religious, political, aesthetic, and gender issues related to the production of the screens. These scholarly studies are suitable for serious students and can also be appreciated by a broad range of art audiences.
Contributions by:
Guolong Lai, Katherine R. Tsiang, Wei-Cheng Lin, Li Xi, Masaaki Itakura, Elizabeth Lillehoj, Hyunsoo Woo, Guo Weiqi and Wu Hung.
Published by:
Art Media Resources, Chicago
The Center for the Art of East Asia, University of Chicago.
1995. Softcover. More
Schoeni Art Gallery. More
Cambridge University Press. More
2013. In this long-awaited follow-up to the enormously popular informal, designer, writer, and engineer Cecil Balmond invites readers into his creative process as he documents his most innovative projects in art, architecture, and bridge design. Hailed by friend and frequent collaborator Rem Koolhaas as having "almost single-handedly shifted the..... More
C.A. Design, 2013. The bilingual book comes in two volumes – one in English with 295 images and the other in Chinese. A well researched and lavishly illustrated book, that offers a wealth of new facts, images and insights into the subject in a broad context. Simply a must..... More
Berkeley: University of California Press, 1963. More
Yale University Press, 2013. In the years between the two world wars, the enormous vogue of "things Mexican" reached its peak. Along with the popular appeal of its folkloric and pictorialist traditions, Mexican culture played a significant role in the formation of modernism in the United States. Mexico and American..... More
Hong Kong: 1988. More
2014. When Cajun artist George Rodrigue began his series of Blue Dog paintings in 1984, he had no idea that they would consume the greater part of his life for over two decades, and that the mysterious Blue Dog—inspired by his studio dog-turned-model, Tiffany, and the Cajun loup-garou folk legend—would..... More
Peking University Publication Series, 2002. More
Forbidden City Publishing House, 2000. More
China 2000 Fine Art, 2007. More
Institute of Chinese Buddhist Culture. Hardcover. 書法是建立在漢字基礎上的藝術,除了其線條、布白的藝術美之外,內外更含有一定的思想,反映人們的審美與精神境界,藉以抒發內心的懷抱及理想。通過筆、墨、紙,印章構成黑、白、紅色的抽象化、符號化的藝術作品,經由文字交流,最能直接道出人生哲學意味,為東方藝術的精髓,在教化作用上有其獨特之處。 四十年前,中國佛教協會成立之初,便向全國佛教徒提出「莊嚴國土,利樂有情」的號召,希望佛教徒不僅致力於物質的文明,更當發揚國民的精神素養,今藉著「中國佛教文化出版有限公司」出版的《佛教嘉言書法集》,正好通過諸書法家的墨寶來從事「莊嚴國土,利樂有情」的事業。 《佛教嘉言書法集》選編了佛教經、論、語錄中有益於修身處世的嘉言一百零八條,分別恭請六十一位當代書法家書寫,其中有年逾九十的長者,有任務繁重的教授和專家等,難得他們都欣然命筆,透過豐富多采的書法藝術,表現佛教教義的內涵和人生哲理。 書中配以簡潔文字,清楚介紹各書法家及嘉言出處,令讀者賞玩書法之餘,又領悟修身養性的哲理,淨化心靈。本書於一九九三年榮獲「香港最佳印製書籍獎」。 Calligraphy is an art based on Chinese characters. In addition to the artistic beauty of its lines and white cloth, it also contains certain ideas inside and outside, reflecting people's aesthetic and..... More
Distanz, 2011. China is undergoing rapid economic and sociocultural transformation. Between the euphoria of unchecked economic advancement, frenzied modernization, and the concomitant fear that the country’s identity will be lost, art charts new and individual paths. Ji Dachun (b. Nantong, China, 1968; lives and works in Beijing) has..... More
2009. This important book showcases institutional and private efforts to collect, document, and preserve African American art in American’s fourth largest city, Houston, Texas. Eminent historian John Hope Franklin’s essay reveals his passionate commitment to collect African American art, while curator Alvia J. Wardlaw discusses works by Robert S. Duncanson..... More
University of Washington Press, 2011. Recognized in Japan as a connoisseur, collector, and proprietor of a famous folk art shop in Tokyo, Tawara Yusaku returned to painting late in life and had a single show in London before his death in 2004. Universe Is Flux is the first examination of..... More
2000: China Institute. The harmonious integration of painting, poetry, and calligraphy has been an accomplishment of Chinese art since the literati painters of the Song dynasty. This idea of painting and poetry as “sister arts” is explored in works by various artists from Wang Wei of the Tang dynasty, considered..... More
Yale University Press. Art history, aesthetics, and visual studies today find themselves in contested new philosophical and institutional circumstances. This fascinating and challenging volume explores the connections and differences among these three methods of investigating visual representation. What are the dominant aesthetic assumptions underlying art historical inquiry? How have..... More
Cambridge University Press, 1996. Hardcover. Ink plum (momei) has been one of the most admired and widely practised genres of ink painting in China, Japan and Korea throughout the last six hundred years. In this study, the first full account of momei, Maggie Bickford provides a comprehensive account of genre-formation..... More
Cultural Relics Press, 2013. More