The Art of the Gao Brothers of the Lingnan School
1995. Softcover. More
Art Media Resources, Inc., 2019. hardbound with dust jacket; 265 pages with black and white photos. Item #45329
ISBN: 9781588861504
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As multi-functional as they are artistically important, folding and standing screens assume a variety of roles unique to the cultures of East Asia. Frequently used in dwellings, temples, and tombs, East Asian screens have a rich history from ancient times up to the modern period, and yet they rarely have been examined as an art form in themselves. This volume of essays makes the art of screens its focus of inquiry. Originally written for the Center for the Art of East Asia’s 2011 symposium, “The Screen in East Asia and Beyond,” these nine essays take a fresh look at the complexity of this traditional art form by presenting the most recent art historical research and analysis of archaeological evidence. Starting from Bronze Age China, the essays address the historic use of screens in East Asia, the materials used in their creation, and the significance of their artistic content. The essays explore a variety of philosophical, religious, political, aesthetic, and gender issues related to the production of the screens. These scholarly studies are suitable for serious students and can also be appreciated by a broad range of art audiences.
Contributions by:
Guolong Lai, Katherine R. Tsiang, Wei-Cheng Lin, Li Xi, Masaaki Itakura, Elizabeth Lillehoj, Hyunsoo Woo, Guo Weiqi and Wu Hung.
Published by:
Art Media Resources, Chicago
The Center for the Art of East Asia, University of Chicago.
1995. Softcover. More
Cambridge University Press. More
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Cultural Relics Press, 2003. More
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Cultural Relics Publishing House. Hardcover. More
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Abrams, 2014. Liu Bolin first became invisible in 2006. When the artist village in Beijing where he worked as a sculptor’s assistant was demolished, he decided to protest. He camouflaged himself in the ruins with acrylic paints and photographed the finished product, marking the first of his Hiding in the..... More
Schoeni Art Gallery, 1992. Published in conjunction with the artist's first one - man show held in the China Club, Hong Kong November 1992, with Introduction by Manfred Schoeni, Artist's Statement by Liu Dahong, 7 articles respectively by Zhu Dake, Amos Q. L. Wan, Geremie Barme, Don J. Cohn, Yu..... More
Beijing: Paragon Book Gallery, 2019. Hardcover, cloth bound. Translated in Simplified Chinese for the first time, this definitive guide was originally published by Thames & Hudson in 2012. The handbook touches on everything one needs to know about commissioning contemporary art. In an age of blockbuster exhibitions and public..... More
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2013. Hardcover. 473 pages : color illustrations ; 31 x 32 cm. More
Medieval and Renaissance Texts and Studies, 1992. The Children of Renaissance Florence - Power and Dependence in Renaissance Florence - Volume 1 - by Richard C. Trexler -- This volume brings together four studies of Florentine youth. The first opens the door to the city's great foundling home of the..... More