
Edited by Foong Ping and Chelsea Foxwell
Art Media Resources, Inc., 2019. hardbound with dust jacket; 265 pages with black and white photos. Item #45329
ISBN: 9781588861504
***PRE-PUBLICATION SALE! Order now to receive 20% off. Expected availability date is June 2019***
As multi-functional as they are artistically important, folding and standing screens assume a variety of roles unique to the cultures of East Asia. Frequently used in dwellings, temples, and tombs, East Asian screens have a rich history from ancient times up to the modern period, and yet they rarely have been examined as an art form in themselves. This volume of essays makes the art of screens its focus of inquiry. Originally written for the Center for the Art of East Asia’s 2011 symposium, “The Screen in East Asia and Beyond,” these nine essays take a fresh look at the complexity of this traditional art form by presenting the most recent art historical research and analysis of archaeological evidence. Starting from Bronze Age China, the essays address the historic use of screens in East Asia, the materials used in their creation, and the significance of their artistic content. The essays explore a variety of philosophical, religious, political, aesthetic, and gender issues related to the production of the screens. These scholarly studies are suitable for serious students and can also be appreciated by a broad range of art audiences.
Contributions by:
Guolong Lai, Katherine R. Tsiang, Wei-Cheng Lin, Li Xi, Masaaki Itakura, Elizabeth Lillehoj, Hyunsoo Woo, Guo Weiqi and Wu Hung.
Published by:
Art Media Resources, Chicago
The Center for the Art of East Asia, University of Chicago.
Special Offers
Prestel, 2012. Produced in close collaboration with the artist, this volume documents new projects commissioned for The Museum of Contemporary Art, Los Angeles, alongside Cai Guo-Qiang’s own survey of his artistic journey and the personal cosmology that informs his work. It features a rich sampling of Cai’s wonderfully diverse oeuvre..... More
Privately Printed, 10/31/20. TWO VOLUMES, 9.5 x 11 in, 480 pages total, hardcover w/slipcase, 203 pieces illustrated, six color printing, text in English and Chinese. Hong Kong 2005. **Due to its size and weight, the shipping cost is $10.95 (USA address) and $59.95 (non-USA address). Attracted by the form, solid..... More
1997. Catalogue of contemporary landscape painting invitational exhibition in 1997. Images of works are accompanied by artist statements and artist biographies. More
Lannoo Publishers, 2016. More
University of Washington Press, 1992. More
Science Press, 1997. More
Sylph Editions, 2017. Limited edition of 300. Crags and Ravines Make a Marvellous View is a groundbreaking art publication exploring classical Chinese culture through an extraordinary scroll painting, Ten Views of a Lingbi Rock, by the 17th-century master Wu Bin.
The special collector’s edition, limited to 300 numbered copies..... More
Art Media Resources, Inc., 2002. Published to coincide with the First Guangzhou Triennial (opening November 18, 2002), this volume provides a systematic description and analysis of Chinese experimental art and cinema of the 90s, the subject of the Triennial. This volume consists of three parts: Part One provides an overview..... More
Science Press, 1991. More
Heritage Press, 2006. 什邡城关墓地是四川省战国至秦汉时期的重大考古发现,它集中展示了战国早期至西汉中晚期成都平原的考古学文化面貌和发展序列,其集中发现的49座船棺墓群是我国迄今为止于一地所发现的数量最多、时代跨度最长、文化内涵最丰富、地方特色最浓厚的船棺葬群。
本书收录线图、拓片约800幅,彩色图版300余幅,在报告各墓葬情况的同时,也为广大文物爱好者了解,研究巴蜀文化、船棺葬制及什邡地方史提供了许多新的材料。. More
Forbidden City Publishing House, 2009. More
Forbidden City Publishing House, 2002. More