The Art of the Gao Brothers of the Lingnan School
1995. Softcover. More
1995. Softcover. More
Getty Research Institute, 2012. “Farewell to Surrealism” is the title of a 1943 essay by Austrian artist-critic Wolfgang Paalen published in the inaugural issue of the journal Dyn. The journal was founded by Paalen and an international group of writers and artists taking refuge in Mexico City during World War..... More
Cultural Relics Press. More
Cambridge University Press. More
The recent rediscovery of Rubens’s Massacre of the Innocents (bought by Lord Thomson for £50 million in 2002) offers an important opportunity to reassess the painter’s early career. Of Rubens’s works immediately following his return to Antwerp in 1608, it is the most assured, achieving a remarkable complexity both compositionally..... More
New York: 1995. More
Berkeley: University of California Press, 1963. More
Heritage Press, 2003. 内容简介 本书总主编:严文明;主编:杨权喜:本报告包括了邓家湾遗址1987年春第二次发掘、1987年秋第三次发掘、1992年夏第四次发掘的全部资料。邓家湾遗址是著名的石家河新石器时代遗址群的重要组成部分。它位于湖北石家河古城内的西北角,包括宗教性遗迹和墓地两部分。本书在深入研究的基础上发表了有关遗址的全部资料。 目录 邓家湾考古的收获(代序) 第一章 前言 第一节 地理位置与自然环境 第二节 遗址调查发掘经过 第二章 地层堆积 第一节 概况 第二节 发掘区东部堆积 第三节 发掘区西北部堆积 第四节 发掘区西南部堆积 第三章 屈家岭文化遗存 第一节 遗迹 一 城墙 二 房址 三 灰坑 (一)圆形灰坑 邓家湾考古的收获(代序) 第一章 前言 第一节 地理位置与自然环境 第二节 遗址调查发掘经过 第二章 地层堆积 第一节 概况 第二节 发掘区东部堆积 第三节 发掘区西北部堆积 第四节 发掘区西南部堆积 第三章 屈家岭文化遗存 第一节 遗迹 一 城墙 二 房址 三 灰坑 (一)圆形灰坑 (二)椭圆形灰坑 (三)凸形灰坑 (四)不规则形灰坑 (五)不明形状灰坑 四 灰沟 五 宗教遗迹 (一)筒形器遗迹 (二)土台与灰烬遗迹(遗迹1) (三)红烧土、灰烬与柱洞遗迹(遗迹2) 第二节 遗物 一 陶器 (一)容器 (二)生产工具 (三)其他 二 石器 第三节 墓葬 一 墓葬概述 (一)墓葬分布 (二)墓葬形制 (三)葬具 (四)埋葬形式 (五)随葬品的种类与陈放位置 二 典型墓葬 (一)长方形土坑竖穴墓 (二)圆角长方形土坑竖穴墓 (三)不规则长方形土坑竖穴墓 (四)带二层台的长方形土坑竖穴墓 (五)瓮棺葬 三 墓葬遗物 第四节 分期 第四章 石家河文化遗存 第一节 遗迹 一 宗教遗迹 …… 第四章 结语 附录 邓家湾遗址铜矿渣检验报告 后记. More
University of Washington Press, 2010. Hardcover. Empresses, Art, and Agency in Song Dynasty China is the first book in any language devoted to the art of imperial women in China. Utilizing a wide range of historical sources and materials, this groundbreaking, interdisciplinary study pieces together a lost history of female..... More
Princeton University Art Museum, 2009. The art world is currently enthralled with contemporary Chinese art. This thoughtful book argues, however, that American audiences have been exposed only to a narrow range of what is available―with the majority of attention having been given to “avant-garde,” “experimental,” or politically charged art. Outside..... More
Power Publications, 2011. Technologies of Magic charts curious territory--a place occupied by both machines and magic. This collection of essays investigates the co-existence of very old forms of thought--belief in ghosts, magic, spirits--and contemporary culture. Refracted through highly technologised societies, magic manifests itself in surprising ways and through a diverse..... More
Verso, 2015. Since the decidedly bleak beginning of the twenty-first century, art practice has become increasingly politicized. Yet few have put forward a sustained defence of this development. Revolutionary Time and the Avant-Garde is the first book to look at the legacy of the avant-garde in relation to the deepening..... More
University of Washington Press, 2011. Recognized in Japan as a connoisseur, collector, and proprietor of a famous folk art shop in Tokyo, Tawara Yusaku returned to painting late in life and had a single show in London before his death in 2004. Universe Is Flux is the first examination of..... More
China Institute, 2006. In the final decades of the Ming dynasty, the potters of Jingdezhen produced blue-and-white porcelain, kosometsuke, and an underglaze-blue and polychrome porcelain ware, ko’akae, for the Japanese market, particularly for use in the popular tea ceremony. Chinese decorative themes and manufacturing standards were transformed to accommodate traditional..... More
Hatje Cantz. Reduction is very much in vogue again: ZERO is undergoing a major international revival, important Op artists are being rediscovered, and new art galleries with a contemporary platform are presenting the influential Conceptual artists of the sixties and seventies. In short, Constructive, Concrete, and Conceptual themes are once..... More
Pasadena, California: Pacific Asia Museum, 1984. More
In English and Chinese. More