Baur Collection: Japanese Lacquer
Baur Collection, 2001. More
Art Media Resources, Inc., 2019. hardbound with dust jacket; 265 pages with black and white photos. Item #45329
ISBN: 9781588861504
***PRE-PUBLICATION SALE! Order now to receive 20% off. Expected availability date is June 2019***
As multi-functional as they are artistically important, folding and standing screens assume a variety of roles unique to the cultures of East Asia. Frequently used in dwellings, temples, and tombs, East Asian screens have a rich history from ancient times up to the modern period, and yet they rarely have been examined as an art form in themselves. This volume of essays makes the art of screens its focus of inquiry. Originally written for the Center for the Art of East Asia’s 2011 symposium, “The Screen in East Asia and Beyond,” these nine essays take a fresh look at the complexity of this traditional art form by presenting the most recent art historical research and analysis of archaeological evidence. Starting from Bronze Age China, the essays address the historic use of screens in East Asia, the materials used in their creation, and the significance of their artistic content. The essays explore a variety of philosophical, religious, political, aesthetic, and gender issues related to the production of the screens. These scholarly studies are suitable for serious students and can also be appreciated by a broad range of art audiences.
Contributions by:
Guolong Lai, Katherine R. Tsiang, Wei-Cheng Lin, Li Xi, Masaaki Itakura, Elizabeth Lillehoj, Hyunsoo Woo, Guo Weiqi and Wu Hung.
Published by:
Art Media Resources, Chicago
The Center for the Art of East Asia, University of Chicago.
Baur Collection, 2001. More
1996. Hardcover. More
Hong Kong: Buddhist Culture Research Institute of China, 1996. This 2-volume set illustrates in its entirety 2 picture albums: The Life of Buddha Sukyamuni and The 53 Visits of Sudhana, now kept in the Shanxi Provincial Museum. They are copies of the wall paintings of the Chongshan Monastery (formerly called..... More
Yale University Press, 2013. Born in Philadelphia and living and working between Paris and Rome, Barbara Chase-Riboud is an internationally celebrated visual artist, novelist, and poet. This important publication focuses on her monumental series of sculptures dedicated to the assassinated civil rights leader Malcolm X. Begun in 1969, Chase-Riboud's series..... More
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London: India Society, 1935. More
New York: 1995. More
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Forbidden City Publishing House. More
University of Washington Press, 2010. Hardcover. Empresses, Art, and Agency in Song Dynasty China is the first book in any language devoted to the art of imperial women in China. Utilizing a wide range of historical sources and materials, this groundbreaking, interdisciplinary study pieces together a lost history of female..... More
London: 1974. Limited Edition - Only 1000 copies printed. More
Stone Publishing Co. Translated from English to Chinese. More
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Power Publications, 2011. Technologies of Magic charts curious territory--a place occupied by both machines and magic. This collection of essays investigates the co-existence of very old forms of thought--belief in ghosts, magic, spirits--and contemporary culture. Refracted through highly technologised societies, magic manifests itself in surprising ways and through a diverse..... More
2000: China Institute. The harmonious integration of painting, poetry, and calligraphy has been an accomplishment of Chinese art since the literati painters of the Song dynasty. This idea of painting and poetry as “sister arts” is explored in works by various artists from Wang Wei of the Tang dynasty, considered..... More
Yale University Press. Art history, aesthetics, and visual studies today find themselves in contested new philosophical and institutional circumstances. This fascinating and challenging volume explores the connections and differences among these three methods of investigating visual representation. What are the dominant aesthetic assumptions underlying art historical inquiry? How have..... More
Forbidden City Publishing House, 2013. HB. More
Schoeni Art Gallery, 1992. Published in conjunction with the artist's first one - man show held in the China Club, Hong Kong November 1992, with Introduction by Manfred Schoeni, Artist's Statement by Liu Dahong, 7 articles respectively by Zhu Dake, Amos Q. L. Wan, Geremie Barme, Don J. Cohn, Yu..... More
Black Dog Publishing. Mapping the Invisible: EU-Roma Gypsies takes the reader on a visual journey across Europe with a focus on its fastest-growing ethnic minority: the Roma. This publication is the result of a unique partnership called EU-ROMA formed by a group of architects, designers and artists wishing to raise..... More
Texas A&M University Press. German playwright Berthold Brecht once observed that "the Finns are silent in two languages." To those familiar with Finnish society and conversation, Brecht's remark aptly summarizes the difficulty of exchanging pleasantries, let alone ideas, with Finns. Those who have come up against these impenetrable boundaries have..... More
Hatje Cantz, 2011. Galvanized by the continued failure of world governments to act on the deterioration of our planet, and further spurred by surviving a near-fatal car crash, Swiss artists Mathias Braschler (born 1969) and Monika Fischer (born 1971) decided to make a tangible record of ecological collapse--of photographs to..... More
Zhou B Art Center, 2006. 1000 copies of this edition have been printed. Hardcover. The Artist: Mathias Schauwecker (born 1967 in Zurich, Switzerland) lives and works in Paris. The Authors: Drew Hammond is Visiting Lecturer in Contemporary Art for the University of Toronto (B.A.S.E. Beijing)... More
Mee-Seen Loong Fine Art, 2014. The exhibition catalog includes a rare and unusual collection of 84 models of Chinese pagodas exhibited at the 1915 Panama Pacific Exposition, based on famous pagodas extant in China around the turn of the twentieth century. After storage of 100 years, this collection reappears in..... More