The Chepsted Notebook: A Collection of Chinese Snuff Bottles
C.A. Design, 2013. Hardcover. More
Art Media Resources, Inc., 2019. hardbound with dust jacket; 265 pages with black and white photos. Item #45329
ISBN: 9781588861504
***PRE-PUBLICATION SALE! Order now to receive 20% off. Expected availability date is June 2019***
As multi-functional as they are artistically important, folding and standing screens assume a variety of roles unique to the cultures of East Asia. Frequently used in dwellings, temples, and tombs, East Asian screens have a rich history from ancient times up to the modern period, and yet they rarely have been examined as an art form in themselves. This volume of essays makes the art of screens its focus of inquiry. Originally written for the Center for the Art of East Asia’s 2011 symposium, “The Screen in East Asia and Beyond,” these nine essays take a fresh look at the complexity of this traditional art form by presenting the most recent art historical research and analysis of archaeological evidence. Starting from Bronze Age China, the essays address the historic use of screens in East Asia, the materials used in their creation, and the significance of their artistic content. The essays explore a variety of philosophical, religious, political, aesthetic, and gender issues related to the production of the screens. These scholarly studies are suitable for serious students and can also be appreciated by a broad range of art audiences.
Contributions by:
Guolong Lai, Katherine R. Tsiang, Wei-Cheng Lin, Li Xi, Masaaki Itakura, Elizabeth Lillehoj, Hyunsoo Woo, Guo Weiqi and Wu Hung.
Published by:
Art Media Resources, Chicago
The Center for the Art of East Asia, University of Chicago.
C.A. Design, 2013. Hardcover. More
1996. Hardcover. More
Hatje Cantz, 2008. Focusing on issues of migration, identity and globalization, the 2008 Shanghai Biennial features 612 international artists, including Rainer Ganahl, Lawrence Weiner, Mike Kelley and Liu Ming. This volume contains thematic texts by the curators, a selection of images and statements from each participating artist. More
Chen Chi Studio New York: 1974. More
This book presents the renowned artist Doris Salcedo’s latest large-scale installation, which is a moving tribute to those who die needlessly and violently in every corner of the world. This exhibition catalog highlights Salcedo’s most recent work, in which the artist commemorates violent deaths around the world. In particular, the..... More
Cambridge University Press, 2000. The Arts of Collecting: Padre Sebastiano Resta and the Market for Drawings in Early Modern Europe examines the collecting of art works through an anthropological examination of modes of exchange and the social roles of material culture. Warwick illuminates a crucial chapter in the history of..... More
Metropolitan Museum of Art, 2012. This groundbreaking volume explores the epochal transformations and unexpected continuities in the Byzantine Empire from the seventh to the ninth century. As the period opened, the Empire's southern provinces—the vibrant, diverse areas of North Africa and the eastern Mediterranean—were at the crossroads of trade routes..... More
London: 1974. Limited Edition - Only 1000 copies printed. More
One of Chicago's premier art patrons and an architecture and interior design critic, Judith Neisser has amassed a remarkable collection of international contemporary art. More than 100 works are presented in this captivating, inside look at the Neisser family collection, highlighting paintings, sculpture, and works on paper from the 1960s..... More
University of Pennsylvania Press, 1984. An introduction to the textile weavings of southwestern Native Americans, the narrative history and color illustrations trace the development of weaving among the Pueblo, Navajo, and Hopi, and the Spanish colonists who settled in the Rio Grande. The reproductions of sarapes, blankets, and clothing will..... More
Harvard University Art Museums, 1998. HB. More
China Institute, 2006. In the final decades of the Ming dynasty, the potters of Jingdezhen produced blue-and-white porcelain, kosometsuke, and an underglaze-blue and polychrome porcelain ware, ko’akae, for the Japanese market, particularly for use in the popular tea ceremony. Chinese decorative themes and manufacturing standards were transformed to accommodate traditional..... More
China Institute, 2010. A landmark exhibition on the extraordinary philosopher, statesman and teacher known as Confucius (551- 479 BCE) is on view at China Institute Gallery from February 11 through June 13, 2010. Confucius is one of the most influential teachers in history, and his teachings are deeply rooted in..... More
Black Dog Publishing. Mapping the Invisible: EU-Roma Gypsies takes the reader on a visual journey across Europe with a focus on its fastest-growing ethnic minority: the Roma. This publication is the result of a unique partnership called EU-ROMA formed by a group of architects, designers and artists wishing to raise..... More
Texas A&M University Press. German playwright Berthold Brecht once observed that "the Finns are silent in two languages." To those familiar with Finnish society and conversation, Brecht's remark aptly summarizes the difficulty of exchanging pleasantries, let alone ideas, with Finns. Those who have come up against these impenetrable boundaries have..... More
Three Rivers Press, 2018. “I had experienced absolute freedom—I had felt that my body was without boundaries, limitless; that pain didn’t matter, that nothing mattered at all—and it intoxicated me.” In 2010, more than 750,000 people stood in line at Marina Abramović’s MoMA retrospective for the chance to sit..... More
Munich, London, NewYork: Prestel, 2013. Hardcover. A collaboration between a contemporary painter and an award-winning poet, this 21st-century bestiary is a spellbinding artistic meditation on the mysteries and diversity of the animal kingdom. Originating in the Middle Ages, bestiaries were illustrated volumes that described various animals--some real, some mystical. The..... More
Hatje Cantz. Reduction is very much in vogue again: ZERO is undergoing a major international revival, important Op artists are being rediscovered, and new art galleries with a contemporary platform are presenting the influential Conceptual artists of the sixties and seventies. In short, Constructive, Concrete, and Conceptual themes are once..... More